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Analysis of the aesthetic of "slow" in contemporary cinema

Tutorial # 00036703
Number of words in this Tutorial: 1436
Posted On: 12/18/2014 10:20 AM
Posted By: Nathaniel
Tutorial Preview …adequate xxxxxxxxxxxx particularly xx Europe The xxxxxxxx of the xxxxx Olaizola xx x Mexican xx ranked fourth xxxxxxxx slow film xxxxxxxx after xxxxxxx xxxxxxx Francisco xxxxxx and Pedro xxxxxxxxxxxxxx However, Fogo’s xxxxxxx took xxxxx xxxxxxx Canada’s xxxx Island Despite xx that Fogo xxxxxxx to xx x real xxxx of talent xx essence, the xxxxxxxx dedicated xxxx xx his xxxx to give xxx best and xx acceptable xxxxx xx work xxxx begins with x nice piece xx music xxxx xxxxx screen xx it cut xxxxxxxxx behind a xxx that xxxxx xxxxxxx in xxxx thick clothes, xxxxxxx slowly along x path xxx x camera xxxxxxx him in x slow motion xxxx eye xxxxx xx a xxxxxx angle shot xxx film’s smooth xxxxxxxxxx makes x xxxxxxxxx and xxxxxxxx the person xxxxxxxx In general, xxx film xxx xxxx beautiful xxxxx that contain xxxxxx compositions The xxxx reinforces xxxxxxxxx xxxxx to xxxx how slow-film xxxxxxxxx have a xxxxxxxxxxxxxx eye xxxxxxx xxxxxxx or xxx When the xxxxx stops as xxx film xxxxxxx xxx screen xxxx black and x smooth dissolve xxxxx the xxxxxx xxxxxxxxx In xxxxxxx the film xxxx indoors, with x bit xx xxxxx illuminates xxxx light through xxx window, which xxxxx the xxxxxx xxx idea xx the evacuated xxxxxxxxxxx particularly when xxx man xxxxxxx xx a xxxxxxxxxxxx with another xxx More shots xx the xxxxxx xxxxxxxx the xxxxxx for evacuation xx the land xxx the xxxxxx xxx behind xxx utter desolation xxxxxxxxxxxxxx & Moore-Gilbert, xxxxx The xxxx xxxxxxx of xxxxxx movies is xxxxxxx Ochipinti’s ‘Letters xx the xxxxxxxxxxxxx xxxxx a xxx as he xxxxx through the xxxxxx and xxx xxxx goes xx slowly as xxxxxxxx to the xxxxxx sand xxxxxxxxxx xxx postman xx the cinema xx the link xxxxxxx the xxxxxxxx…
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